Abstract/Notes: È noto quanto Maria Montessori fosse esigente nei confronti del maestro. In questo articolo si presenta la sua visione delle caratteristiche che devono animare il «nuovo Maestro» per consentire «al bambino nuovo» di potersi sviluppare in modo armonioso ed equilibrato. Dato che la peculiarità della pedagogia montessoriana è cambiare la modalità relazionale tra l’adulto e il bambino, sono messi in risalto alcuni aspetti concreti e universali condivisibili da tutti gli insegnanti. Questi possono essere applicati ovunque e possono anche facilitare la didattica, anche senza applicare tutto il Metodo Montessori, giacché l’autoeducazione del bambino è legata all’autodisciplina dell’adulto. Per formare i maestri Maria Montessori aveva scelto di organizzare i Corsi internazionali di formazione che duravano diversi mesi. Per chiarire gli elementi essenziali, vengono studiate le conferenze riguardo al nuovo maestro pronunciate durante questi corsi. Da esse vengono ricavati i tre livelli di formazione: materiale, scientifica e spirituale. Alcuni aspetti imprescindibili vengono più approfonditi, quali lo spogliarsi dei preconcetti, il cambiare le attitudini morali e l’essere un’osservatore gioioso, aspetti che la Montessori considerava essenziali per risolvere il problema dell’educazione. Basandosi anche su alcuni racconti di allieve, sono proposte alcune modalità scelte da Hélène Lubienska de Lenval durante il suo Cours Pédagogique, e sono presentate alcune scelte pedagogiche di Adele Costa Gnocchi, che aprirà la Scuola Assistenti all’Infanzia dove saranno approfondite le intuizioni della Montessori per il bambino piccolo fino a tre anni. / Es conocido lo exigente que Maria Montessori ha sido en relación a los maestros. En este artículo se presenta su visión de las características que debería poseer el “nuevo maestro” para permitir al “nuevo niño” desarrollarse de manera armoniosa y equilibrada. Considerando que la finalidad de la pedagogía montessoriana es cambiar la modalidad de interacción entre el adulto y el niño, se pueden destacar algunos aspectos concretos y universales que puedan compartir por todos los maestros. Sin necesidad de aplicar completamente el Método Montessori, estos elementos pueden ser útiles en todo tipo de circunstancia y facilitar la didáctica, puesto che la autoeducación del niño depende de la autodisciplina del adulto. Para formar a los maestros, Maria Montessori decidió organizar los cursos internacionales de formación con una duración de varios meses. Para aclarar los aspectos esenciales, en este artículo se toman en consideración las conferencias relativas al “nuevo maestro” que se pronunciaron en estos cursos. A partir de ellas se pueden derivar los tres niveles de formación: material, científica y espiritual. Se profundiza sobre algunos aspectos fundamentales como liberarse de los prejuicios, cambiar la actitud moral y ser un alegre y atento observador, aspectos que Maria Montessori consideraba primordiales para resolver el problema de la educación. Basándose en algunos relatos de sus alumnas, también se exponen algunas modalidades adoptadas por Hélène Lubienska de Lenval presentadas durante su Cours Pédagogique y además se presentan algunas opciones pedagógicas de Adele Costa Gnocchi, que abrirá la Escuela de Asistentes de la Infancia donde se estudiará a profundidad la visión de Maria Montessori para el niño pequeño, hasta los tres años de edad. / It is well known how much Maria Montessori demanded of teachers. This article presents her vision of the characteristics which should animate the “new teacher” in order to allow the development of the “new child” in a harmonious and balanced manner. Given that the goal of the Montessori pedagogy is to change the manner of relating between adult and child, some concrete and universal characteristics are highlighted which are common to all teachers. Even without applying the entire Montessori methodology, these elements can be useful in all circumstances and can facilitate teaching, given that the self education of the child is linked to the self discipline of the adult. To train teachers, Maria Montessori chose to organize international training courses lasting several months. To clarify the essential elements, the conferences regarding the topic of the new teacher during these training courses are presented here. These elements are divided into three levels of training: the material level, the scientific level, and the spiritual level. Some essential aspects are covered in depth, such as the denuding of preconceptions; changing of moral attitudes; being a joyful observer; all approaches that Maria Montessori considered essential to solve the problem of education. Finally, on the basis of stories of students, there are presented some methods chosen by Helene Lubienska de Lenval taken from her Cours Pedagogique, and some pedagogical methods taken from Adele Costa Gnocchi, who will open the Scuola Assistenti all’Infanzia, where they will delve deeper into Montessori insights regarding the small child up to three years of age.

Language: Italian

ISSN: 2255-0666

Language: Polish

ISSN: 1895-6297

Abstract/Notes: <正> 意大利女教育家,蒙台梭利法的创始人。作为意大利女性,最初毕业于罗马大学医学系,后到法国钻研特殊儿童的治疗。1899年任国立异常儿童学校校长,1909年任罗马大学讲师。1907年在罗马贫民街开设“幼儿之家”,采用自己考察的教育法,引起了世界的注目。她在人类学、生理学、异常心理学等领域潜心钻研,积累了实践经验,充分有效地利用

Language: Chinese

ISSN: 1671-1610

Language: English

Published: Chicago, Ill.: Virginia B. Fleege, 1987

Abstract/Notes: Quest’articolo descrive due esperienze molto diverse effettuate in Italia. La prima riguarda l’introduzione di un laboratorio basato sull’uso dei materiali sensoriali Montessori all’Università dell’Immagine di Milano, fondata dal fotografo Fabrizio Ferri, che offriva a creativi di varia provenienza professionale e geografica una formazione post-secondaria biennale, organizzata incinque laboratori, ciascuno dedicato a uno dei cinque sensi, condotto da un docente responsabile. Quello da me condotto aveva il titolo: “Angolo del ristoro sensoriale” ed era trasversale agli altri cinque. La seconda riguarda invece l’utilizzazione di incastri solidi, torre rosa e scala marrone, nel percorso rieducativo di una ragazza di vent’anni, affetta da grave ritardo mentale con tratti autistici. In entrambi i casi i risultati sono stati molto positivi. Nel primo, la percezione sensoriale degli studenti dell’Università dell’Immagine, si è raffinata e perfezionata.Nel secondo, il caso di ritardo mentale con tratti autistici, ha suscitato nella ragazza un interesse che si è esteso all’ambiente esterno e alle persone che interagivano con lei. Ha inoltre migliorato la manualità fine, rendendo più efficaci le indicazioni per svolgere correttamente le mansioni della vita quotidiana nella propria casa, in cui in precedenza aveva scarsissima autonomia. Con lei il percorso Montessori è iniziato in uno studio di musicoterapia e ha interagito con quelle sedute, per proseguire poi a casa sua, con varie attività di vita pratica, volte a migliorare il coordinamento del corpo nello spazio, il coordinamento oculomanuale, i movimenti raffinati delle dita e la discriminazione visiva. Queste attività hanno fatto progredire molto la sua autonomia. / En este trabajo se describen dos experiencias llevadas a cabo en Italia: la introducción de un laboratorio para el uso de los materiales sensoriales Montessori en la Universidad de la Imagen de Milán (UI) que ofrecía a los “creativos” de diversas procedencias profesionales y geográficas la formación postsecundaria según un programa experimental de dos años, organizado en cinco laboratorios, cada uno dedicado a uno de los cinco sentidos. El que yo dirigí se titulaba “Rincón de descanso sensorial” y fue trasversal a los otros cinco. Se denominaba: “Rincón de descanso sensorial” y fue transversal a los otros cinco. El segundo se refiere al uso de encajes sólidos, torre rosa y escalera marrón, en la rehabilitación de una chica de veintiún años, que sufría un retraso mental severo con rasgos autistas. En ambos casos los resultados fueron muy positivos: las percepciones sensoriales de los estudiantes de la UI se han afinado y perfeccionado; la introducción de los materiales en la rehabilitación sensorial de la chica ha despertado un interés que se ha extendido al entorno externo y a las personas que interactuaban con ella. También ha mejorado los movimientos finos de los dedos, lo cual le facilita llevar a cabo las tareas de la vida cotidiana, en la que antes tenían muy poca autonomía. Con ella el proceso Montessori comenzó en un estudio de musicoterapia, para seguir a continuación en su casa, con varias actividades de la vida práctica, para mejorar la coordinación del cuerpo en el espacio, la coordinación óculo-manual, la motricidad de los dedos y la discriminación visual. Estas actividades han mejorado su autonomía. / This paper deals with two different experiences carried out in Italy. The first concerns a Sensorial Materials workshop, which I directed in Milano at the University of Image (UI) founded by photographer Fabrizio Ferri. UI offered a post-secondary education to creative professionals, from various backgrounds and geographical areas, according to a two-year experimental program, organized in five workshops, each of them dedicated to one of the five senses and directed by a professional of the field. My workshop title was: “The corner of sensory relief” and interacted with the other five. The second relates to the use of solid insets, pink tower and brown stairs for the rehabilitation of a twenty-one years-old girl, who suffered from severe mental retardation with some autistic features. In both cases the results were very positive. In the first one, the sensory perceptions of UI students have been refined and perfected; in the second, the girl affected by mental retardation showed a great interest in the above-quoted materials. The girl has spread her interest to external environment and to the people who interacted with her. The fine movements of her fingers were also enhanced, allowing her to perform various tasks in her daily life, which previously she was unable to carry out. Her Montessori rehabilitation began during some music therapy sessions. Then it was carried out at home, where various Practical life activities were introduced. Thanks to them she improved her body coordination in space, her eye-hand coordination and visual discrimination. These activities strengthen considerably her autonomy

Language: Italian

ISSN: 2255-0666

Abstract/Notes: Montessori çocukların duyusal deneyimleri aracılığıyla yeni bilgiler edinmelerine yardımcı olan bir yaklaşımdır. Montessori yönteminde müzik eğitimi okulöncesi dönemdeki çocukların müzikal beğenilerini geliştirmeyi hedefler. Montessori yaklaşımında çocuğun müzikal çevresindeki temel amaç müzikal potansiyellerine ulaşmaları konusunda onlara rehberlik etmektir. Montessori yöntemi birçok ülkede yaygın olarak uygulanmaktadır. Son yıllarda ülkemizde de yaygınlaşmaya başlayan bu yöntem, daha çok genel öğrenme alanlarını kapsamaktadır. Ancak Montessori yönteminde, özellikle çocukların 3-6 yaş arası duyusal döneminde sanat eğitiminin de önemli bir yer tuttuğu bilinmektedir. Yurt dışında yapılan araştırmalar, müzik eğitiminin Montessori yöntemi içinde önemli bir yerinin olduğunu göstermektedir. Araştırma, Türkiye’de Montessori anaokullarındaki müzik uygulamalarının belirlenmesi amacıyla yapılmıştır. Bu amaç doğrultusunda araştırmanın Montessori yönteminde müzik eğitimi ile ilgili çalışmaları incelemek ve Türkiye’deki Montessori anaokullarındaki müzik uygulamaları hakkında durum saptaması gerçekleştirmek bakımından yararlı olacağı düşünülmektedir. Araştırmanın verileri, bu alanda yapılan araştırmalar incelenerek ve Türkiye’de Montessori anaokullarında çalışmakta olan eğitimcilere uygulanan anket sonuçlarına göre elde edilmiştir. Araştırma sonuçlarına göre; Montessori yöntemiyle eğitim veren anaokullarının %67’sinin “Aile ve Sosyal Hizmetler Bakanlığı’na” bağlı olduğu, %72’sinin “günlük programlarında müzik dersine yer verdiği”, %67’sinde müzik derslerinin “müzik öğretmeni” tarafından gerçekleştirildiği ve okulların %89’unda “Montessori müzik materyallerinin” bulunduğu sonucuna varılmıştır. Müzik materyallerinin kullanımına yönelik yapılan araştırmada ise, anaokullarının %17’sinde Montessori müzik materyallerinin “hepsinin”, %22’sinde “bir” ve %50 ‘ sinin ise “birkaç” müzik materyaline sahip olduğu, %11’inde de “hiçbir” Montessori müzik materyalinin bulunmadığı sonucuna varılmıştır. Anaokullarının %78’ inde Montessori müzik materyalleri dışında “vurmalı çalgıların” kullanıldığı tespit edilmiştir. / Montessori is an approach that helps children gain new information via sensorial experiences. Music education with the Montessori method aims to develop musical tastes of children in preschool period. The main purpose in Montessori approach is to guide children to reach their musical potential in their musical environment. Montessori method is of common use in many countries. This method started to become more common in our country in recent years and it covers learning areas. However, it is known that Montessori method has an important place in art education especially with children between ages 3-6 in their sensory period. The studies done abroad show that Montessori method has an important place in music education. This research is done to detect the music applications of Montessori in Montessori preschools in Turkey. Towards this purpose, this study is expected to be beneficial for analyzing the studies on music education with Montessori method and detecting the music applications in Montessori preschools in Turkey. The data of this study was obtained via analyzing the studies in this field and by conducting a survey with the instructors working in Montessori preschools in Turkey. According to the results of this study, among the Montessori preschools, 67% is connected to the Ministry of Family and Social Services, 72% has music courses in their daily curriculum, 67% has music courses conducted by a music instructor and 89% has Montessori music materials. Based on the results of the research done about the usage of the musical materials, it has been found that among the preschools, 17% have all the Montessori music materials, 22% have one music material, 50% have a few music materials and 11% do not possess any of the Montessori music materials. It was seen that 78% of the preschools make use of percussion instruments besides the Montessori music materials.

Language: Turkish

ISSN: 1304-8880

Abstract/Notes: Kemandirian adalah kemampuan seseorang untuk melakukan segala sesuatunya sendiri sesuai dengan tugas perkembangannya yang didasari oleh inisiatif, keinginan, kontrol diri dan kepercayaan pada kemampuannya sendiri. Anak perlu dilatih kemandiriannya sejak usia dini supaya tugas perkembangan dapat berkembang secara optimal. Sekolah memiliki peran penting untuk meningkatkan kemandirian anak. Menurut Santrock (2002:242), lingkungan bermain sangat penting dalam optimalisasi perkembangan anak. Salah satu sekolah dengan pendekatan seperti di atas adalah sekolah Montessori. Pendekatan Montessori menerapkan agar anak belajar mandiri dan tidak bertanya kepada guru atau menunggu jawaban (Hainstock 2008:38-40). Anak yang dididik dengan pendekatan Montessori diberi kesempatan untuk bekerja sendiri dengan material-material yang ada di lingkungannya, mengungkapkan keinginannya untuk memilih aktivitas, mengembangkan disiplin, dan anak perlu mengetahui apa yang baik dan buruk. Apabila hal-hal ini telah dipenuhi, maka kemandirian anak akan terbentuk (Modern Montessori International n.d.:40-41). Penelitian ini bertujuan untuk mengetahui secara empiris ada tidaknya perbedaan tingkat kemandirian anak prasekolah di sekolah Montessori dengan sekolah non Montessori. Subjek penelitian (N=28) adalah anak prasekolah berusia 3-4 tahun yang bersekolah di sekolah Montessori “X” dan sekolah non Montessori “Y” Teknik pengambilan sampel menggunakan seluruh populasi playgroup 2. Pengambilan data menggunakan rating scale terhadap kemandirian anak di sekolah Montessori maupun di sekolah non Montessori. Data dianalisis dengan teknik Uji t (t-test). Nilai t = 0.364, dengan p = 0.720 (p > 0.05) yang berarti hipotesis penelitian ditolak. Hal ini berarti tidak ada perbedaan signifikan tingkat kemandirian anak prasekolah di sekolah Montessori “X” dengan sekolah non Montessori “Y”. [Independence is a person's ability to do things on their own in accordance with their developmental tasks based on initiative, desire, self-control and belief in their own abilities. Children need to be trained to be independent from an early age so that developmental tasks can develop optimally. Schools have an important role in increasing children's independence. According to Santrock (2002: 242), the play environment is very important in optimizing children's development. One of the schools with such an approach is the Montessori school. The Montessori approach applies so that children learn independently and do not ask the teacher or wait for answers (Hainstock 2008:38-40). Children who are educated with the Montessori approach are given the opportunity to work alone with materials in their environment, express their desire to choose activities, develop discipline, and children need to know what is good and bad. If these things have been fulfilled, then the child's independence will be formed (Modern Montessori International n.d.: 40-41). This study aims to determine empirically whether there are differences in the level of independence of preschool children in Montessori schools and non-Montessori schools. The research subjects (N=28) were preschoolers aged 3-4 years who attended Montessori schools "X" and non-Montessori schools "Y" The sampling technique used the entire playgroup population 2. Data collection used a rating scale on the independence of children in Montessori schools. as well as in non-Montessori schools. The data were analyzed by using the t-test technique (t-test). The value of t = 0.364, with p = 0.720 (p > 0.05) which means the research hypothesis is rejected. This means that there is no significant difference in the level of independence of preschool children in Montessori schools "X" with non-Montessori schools "Y"]

Language: Indonesian

Published: Surabaya, Indonesia, 2009

Abstract/Notes: Maria Montessori e Ludwig Wittgenstein hanno apportato un contributo significativo allo sviluppo del concetto di linguaggio in ambito educativo. Muovendo dalla sfera del linguaggio parlato e passando poi a quella del linguaggio scritto, l’articolo che segue ha come proposito quello di far emergere le affinità concettuali rintracciate all’interno delle opere dei due autori. Tale parallelismo ha origine comune nella centralità affidata al rapporto interdipendente tra pensiero e linguaggio. L’articolo qui proposto vuole soprattutto amplificare il messaggio filosofico ed etico che accompagna questo pensiero comune ad entrambi gli autori e che può essere così riassunto: un ambiente educativo all’interno del quale venga promossa una visione filosofica ed etica del linguaggio permette al bambino di migliorare la qualità della propria vita intima e sociale. / Maria Montessori y Ludwig Wittgenstein han aportado una contribución significativa en el desarrollo del concepto de lenguaje en el ámbito educativo. Empezando por la esfera del lenguaje hablado y atravesando la de la escritura, este artículo se propone resaltar las afinidades conceptuales delineadas entre las obras de los dos autores. Este paralelismo encuentra orígenes comunes en la centralidad conferida al vínculo entre pensamiento y lenguaje. El propósito de este artículo es el de destacar el mensaje filosófico y ético que acompaña el pensamiento de los dos autores y que puede ser así resumido: un entorno educativo dentro del cual sea promovida una visión filosófica y ética del lenguaje, permite al niño mejorar la calidad de su propia vida interior y social. / Maria Montessori and Ludwig Wittgenstein contributed to formulate notions of language in the field of education. Starting from spoken language and moving to the written word, this article aims to unfold the conceptual resemblances in both authors. This parallelism finds common origins in the centrality conferred on the relationship between thought and language. The purpose of this article is to highlight the philosophical and ethical message that accompanies the thoughts of the two authors and that can be summarized that way: an educational environment within which a philosophical and ethical vision of language is promoted allows the child to improve the quality of their own individual and social life.

Language: Italian

ISSN: 2255-0666

Abstract/Notes: Describes three projects: (1) the Laufenburg Ranch Project, a historical organic farm and agricultural and environmental education center; (2) the Hershey Montessori School's efforts to teach adolescents about the earth; and (3) the Lake Country School, which developed a farm campus and nature center as an integral part of its educational program.

Language: English

ISSN: 1522-9734

Abstract/Notes: O método Montessori, como se convencionou chamar a perspectiva pedagógica derivada do trabalho de Maria Montessori (1870-1952), foi desenvolvido, principalmente, ao longo da primeira metade do século XX. Até hoje, no entanto, há escolas, publicações e cursos para professores sendo criados em todo o mundo. Desde o início de sua história, a pedagogia montessoriana aparece frequentemente na mídia de vários países do mundo, e, em alguns momentos da história, representou tanto um fenômeno midiático quanto editorial (KRAMER, 1988). Esta pesquisa trabalhou com um arquivo de textos midiáticos, publicados desde 1911 nos Estados Unidos da América e dedicou-se à análise e à interpretação de um corpus de textos da mesma natureza. Uma ênfase da análise foi dada aos textos publicados entre os anos 2000 e 2015. O aporte teórico das análises e das reflexões expostas aqui é a Análise de Discurso filiada aos estudos do inconsciente e da ideologia, iniciada na França, por Michel Pêcheux, e desenvolvida e ampliada no Brasil por autoras como Eni Orlandi. A história da perspectiva pedagógica de que tratamos já foi explorada antes por diversos autores (STANDING, 1962; KRAMER, 1988; POVELL, 2010, entre outros), mas poucos tangenciaram o trabalho da mídia quanto a essa pedagogia, embora mencionem a importância desta mesma instância de produção, e nenhuma das publicações emprega a perspectiva discursiva, que pode oferecer outros pontos de vista e permite a interlocução de diversas áreas de estudo. Os resultados obtidos com esta pesquisa apontam para uma direção previsível e duas bifurcações importantes desta. Em primeiro lugar, como propõe a teoria da Análise de Discurso, a produção discursiva é atravessada pela ideologia, e, assim, os textos com que trabalhamos fazem parte de um conjunto de sentidos e proposições que harmonizam com o verdadeiro, como operado pela ideologia dominante. Isso tem duas consequências específicas para este corpus. Por um lado, os sentidos que caracterizam o método Montessori são vinculados a valores não estranhos ao neoliberalismo e ao discurso empreendedor: fala-se muito de diversão, e, ao mesmo tempo, de alto desempenho, liberdade, sucesso, escolha individual e liderança. Por outro lado, há uma contradição muito presente entre caracterizar-se Montessori como uma pedagogia alternativa e dizer-se que Montessori é só uma via diversa para se alcançar os mesmos fins: alto desempenho acadêmico e sucesso financeiro. Em segundo lugar, notamos a proeminência do ponto de vista adulto sobre o possível ponto de vista infantil. Os textos, especialmente a partir de 2011, fazem sentido, com frequência, construindo as vantagens que a pedagogia montessoriana representa para o adulto, segundo uma perspectiva corporativa ou empreendedora. Por meio de nossa análise, pudemos caracterizar a configuração do discurso midiático sobre o método Montessori nos Estados Unidos e compreender como os sentidos se articulam para fazer de Montessori uma perspectiva válida e positiva, ao mesmo tempo, silenciando os sentidos que, ligados a ela, poderiam ser desarmônicos e, até mesmo, arriscados para a hegemonia do verdadeiro sobre a criança e sobre a educação. [The Montessori method, as the pedagogical perspective derived from the work of Maria Montessori (1870-1952) is usually called, was developed mainly during the first half of the twentieth century. To this day, however, there are schools, publications and courses for teachers being created around the world. From the beginning of its history, Montessori pedagogy has frequently appeared in the media of several countries, and at some moments in history has represented both a mediatic and editorial phenomenon (KRAMER, 1988). This research relies on an archive of media texts published since 1911 in the United States of America and is focused on the analysis and interpretation of a corpus of texts of the same nature. Emphasis was given to those texts published between the years 2000 and 2015. The theoretical foundation for the analyzes and reflections exposed here is the Discourse Analysis affiliated to the studies of the unconscious and the ideology, initiated in France by Michel Pêcheux, and developed and expanded in Brazil by authors such as Eni Orlandi. The history of the pedagogical perspective that we have dealt with has already been explored by several authors (STANDING, 1962, KRAMER, 1988, POVELL, 2010 and others), but few have touched on the work of the media in relation to this pedagogy, although they recognize its relevance, and none of the publications adopts the discursive perspective, which can offer other points of view, allowing the interlocution with several areas of study. The results obtained with this research point to a predictable direction, and two important and novel bifurcations. First, as the theory of discourse analysis proposes, discursive production is traversed by ideology, and thus the texts we work with are part of a set of meanings and propositions that harmonize with the truth, as operated by the dominant ideology. This, in turn, has two specific consequences for this corpus. On the one hand, the meanings that characterize the Montessori method are linked to values not unfamiliar to neoliberalism and entrepreneurial discourse: much is said of fun, and at the same time high performance, freedom, and success, individual choice, and leadership. There is a very present contradiction between characterizing Montessori as an alternative pedagogy and saying that Montessori is only an alternative way to achieve the same ends: high academic performance and financial success. Secondly, we notice the prominence of the adult point of view over the possible infantile one. The texts, especially as of 2011, often make sense from the advantages that the Montessori pedagogy represents for the adult, from a corporate or entrepreneurial perspective. Through our analysis, we have been able to characterize the configuration of the media discourse on the Montessori method in the United States and to understand how the senses are articulated to make Montessori a valid and positive pedagogical perspective, while silencing the meanings that could, if linked to that, be disharmonious, and we would say risky, for the hegemony of the truth about the child and about education.]

Language: Portuguese

Published: São Paulo, Brazil, 2019